Prefixes and Suffixes and their Meanings

Prefixes and Suffixes and their Meanings

Originally Compiled These lists were originally compiled on Daily Writing Tips “List of Prefixes and Suffixes and their Meanings” List of Prefixes a- or an-: at, in or in the process of, on; not, without acro- or acr-: beginning, end, height, peak, summit, tip, top ad- or (first sense only) ac-, af-, ag-, al-, ap-, as-, or at-: to, toward; adjacent to, near aero-: air, atmosphere, aviation, gas after-: following, lower, rear, resulting ambi-: both ante-: before, forward, prior or prior to anti- or ant- or anth-: against, alleviating, curing, opposed, opposite, preventing arch- or (second sense only) arche- or archi-: chief, extreme, principal; original, primary, primitive auto- or aut-: automatic, same one, self or self-acting bi- or (second sense only) bio-: between, double, two, twice; biographical, life chrono- or chron-: time circum-: about, around co-: alternate, deputy, fellow, in or to the same degree, joint, partner, together, with com-, col-, or con-: jointly, together, with contra-: against, contrary, contrasting counter-: against, complementary, contrary, corresponding, duplicate, opposing, retaliatory, substitute crypto- or crypt-: coded, covered, hidden cyber-: pertaining to computers or computer networks de-: derived from something, do the opposite, get off of, reduce, remove from, reverse of, something derived […]

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ANATOMY OF STORY

THE ANATOMY OF STORY

“John Truby is one of the most respected and sought-after story consultants in the film industry, and his students have gone on to pen some of Hollywood’s most successful films, including Sleepless in Seattle, Scream, and Shrek. Based on the lessons in his award-winning class, Great Screenwriting, The Anatomy of Story reveals all his secrets for writing a compelling script. The book draws on a broad range of concepts and archetypes from philosophy and mythology, offering fresh techniques and insightful anecdotes alongside Truby’s own unique approach to building an effective, multifaceted narrative. The foundations of story that he lays out are so fundamental that they are applicable─and essential─to all writers, from novelists and short-story writers to journalists, memoirists, and those interested in narrative nonfiction.”

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DON’T GET IT RIGHT, GET IT WRITTEN!

Chapter 1 – Kick In The A$$
Chapter 2 – Fighting Through The Fear
Chapter 3 – The Process
Chapter 4 – Keeping It Original
Chapter 5 – Setting A Schedule
Chapter 6 – Discipline
Chapter 7 – Finding Time To Write
Chapter 8 – What’s The Deadline
Chapter 9 – Feedback
Chapter 10 – Keep Moving
Chapter 11 – Write To The End
Chapter 12 – Last Words… One More Time

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